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Showing posts with label KamalHaasan. Show all posts
Showing posts with label KamalHaasan. Show all posts

Vishwaroopam

| Saturday, January 26, 2013
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More than, the ban of Vishwaroopam, I have become a little tired of the efforts for "high production value" in recent years. It seems like many Indian, especially south film making "pundits" see this as meaning "special effects" more than anything else. The number of movies that are just high quality works with good actors and a strong plot and few extra, unneeded frills seems to have greatly decreased in the last couple of decades.

Good movie, specifically cinematography is not just about ‘eye‑candy’, but about giving substance and meaning to what’s on screen, using technology, skill and artistic expression.  It’s not even just about careful framing and high production values: matching up ‘moods’ and ‘feels’ is arguably even more important. And Vishwaroopam is one such movie with outstanding cinematography & audio-graphy brought together in a brilliant way by Dr. Kamal Haasan!

Vishwaroopam

Posted by : Jegan
Date :Saturday, January 26, 2013
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Happy Birthday, KamalHaasan!

| Monday, November 7, 2011
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The talented Kamal Haasan turns 57 today. And here is his message:



The incredible Nayakan, the standout Pushkpak, zany Michael Madana Kama Rajan, gooseflesh in Appu Raja and the madness of Avvai Shanmughi.

Happy Birthday, KamalHaasan!

Posted by : Jegan
Date :Monday, November 7, 2011
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7am Arivu

| Thursday, October 27, 2011
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A R Murugadoss attempts to chronicle the life of Bodhidharma (Surya), a Buddhist Monk from the 5th/6th century, a leading patriarch and transmitter of Zen who hails from Kanchipuram and a Tamilan! Did he succeed? I guess one will have to wait to see the mass medias' reaction before ruling it out. However, IMHO, he didn't fail miserably.

7am Arivu starts off like a documentary and ends like one too except everything else in the middle. I am not a fan of A R Murugadoss, in fact, I was furious at him for tying to rip off Memento (Christopher Nolan) in the name of Ghajini failing miserably as he did not even understand the original.

Here, ARM gets inspired by his and many other young and aspiring directors/actors Godfather, Mr. Kamal Haasan. Anyone who has seen Dasavathaaram will be able to see the resemblance. Bio-war, Chasing a Virus, evoking a Hero from the past to save the planet, money hungry Professor and villains interest in the commercial profit of the life demolishing germ compound are all the common elements of the two.



Like Dasavathaaram, 7am Arivu opens in a non-traditional fashion (for Mass South Indian cinema) with a preface that recounts the Pallava dynasty, and the surroundings of Kanchi, to a land that is at the height of both martial and medical prowess. In Dasavathaaram, Kamal draws a parallel between Rangarajan Nambi and Vincent Poovaragan (apart from the more obvious adversarial relation between Govind and Rangarajan), both of whom go down fighting for their principles and what they think is the meaning of their existence. In 7am Arivu, ARM brings together Aravind (Surya), a circus artist and Bodhidharma casing Proprioception Deficit Disorder, also known as Sack's Syndrome which is a complete and total failure of the body’s knowledge of itself. Both the movies tries to breakdown the complex Chaos Theory in a movie form. 7am Arivu would have been a better film if only the screenplay did not abandon the scientific credibility of the subject it took in the beginning towards the fag end to give way to a commercial climax action sequence. Enough said!

Moving on to performance, Surya's (as Bodhidharma and Aravind) performance has made 7am Arivu a successful movie. He has come a long way from his earlier movies and seems to be learning quick and steady. I hope to one day see him reach the acting heights of Kamal, Karthick and Raghuvaran.

Shruthi Haasan may not impress phenomenally with her Tamil debut, but she sure has acting in here genes! And, coincidentally, the film also deals with how abilities are carried forth through generations by genes.

Ravi K Chandran’s cinematography proves that nature is marvelous and mysterious. He proves that in the right kind of eyes/hands, nature presents herself as one of the most fabulous works of art ever wrought. One can see that every frame was carefully constructed, especially in the initial 20 minutes or so. Same can be said about the art too. The visual effects also are a treat to watch, except for a few instances in a fight sequence right in the heart of the city.

Harris Jeyaraj’s tunes may have already delighted you, but do not expect the same with his BGM except a few places. Moreover, the songs are thrust onto the narration.

Overall, if you do not have any expectation for the movie like myself, it will not fail you. However do understand the capacity of the director of the movie!!!

7am Arivu

Posted by : Jegan
Date :Thursday, October 27, 2011
With 2comments

Anbe Sivam again!!

| Thursday, March 24, 2011
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I was watching "Anbe Sivam" last night, WHAT A MOVIE!!! and beautiful concept and thought! If you have not yet watched the movie I say you are missing a lot.. really lot! My one liners about the movie as follows: I exist within me only. Others exist because one imagine others do. Otherwise," other" is not here. No past; No future, only PRESENT! And, there is nothing to give and take in the world. Only to share with the others. All relations, friends, acquaintance and strangers are just a small part of your life. Don't take any talks of culture, religion and civilization sincerely. They are decaying with each moment of time. Death is most lovable part of life. It can come in conscious or unconscious state of mind. Love is is the only truth.

So, please, watch the movie at least for this awesome quote by Kamala Hassan in the film; Love would be cherished even if the Taj Mahal were to be ram shackled. Communism is a feeling, which would continue to amaze everyone when the underlying egalitarian thought is provoked in our everyday life moments. It was there and would be there, although an attempt in the Soviet Union has been faltered. There is a difference between validity of the concept and the fallouts in execution. We would be insulting Gandhi if we wore Khadhi, preached indignity of fellow beings, mocked self-respect and humiliated truth.

Anbe Sivam again!!

Posted by : Jegan
Date :Thursday, March 24, 2011
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Manmadhan Ambu

| Sunday, December 26, 2010
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I watched MMA last night and I must say that it is a must watch in theater at least for the Neela Vaanam song sequence... it is presented in a wind back manner giving a very good feel. The characterization is extremely good (Except the finale 40 minutes). The script is very engaging right from the starting to middle but looses its way towards the end... or rather seemed rushed as in any movie scripted by Kamal Haasan! This smart script is also the negative point of Manmadhan Ambu, well written script may not go well with our masala movie aka "c" class fans, may not go with people expecting a Endhiran, Dasavatharam or Singam, this is different.

I like to give kudos to Kamal as it’s hard to make a good comedy movie with a strong story line, though there are few like ‘Sathi Leelavathi’ and this is another one. The script is written in such a way that the movie starts slowly, moves like a romantic movie, pick up pace and shifted to a mere "b" grade comedy movie at the end. The first half is full of comedy and bar sequences involving Madhavan and Sriman is very funny. After a very long time I get to see Madhavan in a stupendous character. He tickles every funny bones now and then at many portions. Trisha dubbing with her own voice and seen without skin shows should be well applauded. Thanks to Kamal Haasan!

Sangeetha proves to be an amazing actress in comedy roles as well. Ramesh Aravind and Oorvasi have acted in Kamal Haasan’s films in comedy oriented characters, but this time they have something different for you. Suriya’s cameo is FUN!

Verdict; *** go see it :)

Manmadhan Ambu

Posted by : Jegan
Date :Sunday, December 26, 2010
With 2comments

Kamals' God!

| Thursday, November 11, 2010
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கிரகணாதி கிரகணங்கட்கப்பாலுமே ஒரு
அசகாய சக்தி உண்டாம்
ஆளுக்கு ஆளொரு பொழிப்புரை கிறுக்கியும்
ஆ(யா)ருக்கும் விளங்காததாம்
அதைப்பயந்ததையுணர்ந்ததைத் துதிப்பதுவன்றி
பெரிதேதும் வழியில்லையாம்
நாம் செய்த வினையெலாம் முன்செய்ததென்பது
விதியொன்று செய்வித்ததாம்
அதை வெல்ல முனைவோரைச் சதிகூடச் செய்தது
அன்போடு ஊழ் சேர்க்குமாம்
குருடாகச் செவிடாக மலடாக முடமாகக்
கரு சேர்க்கும் திருமூலமாம்
குஷ்டகுஹ்யம் புற்று சூலை மூலம்
குரூரங்கள் அதன் சித்தமாம்
புண்ணில் வாழும் புழு புண்ணியம் செய்திடின்
புதுஜென்மம் தந்தருளுமாம்
கோடிக்கு ஈஸ்வரர்கள் பெரிதாக வருந்தாமல்
சோதித்து கதி சேர்க்குமாம்
ஏழைக்கு வரு துயரை வேடிக்கை பார்ப்பததன்
வாடிக்கை விளையாடலாம்
நேர்கின்ற நேர்வலாம் நேர்விக்கும் நாயகம்
போர்கூட அதன் நின் செயலாம்
பரணிகள் போற்றிடும் உயிர்கொல்லி
மன்னர்க்கு தரணி தந்து அது காக்குமாம்
நானூறு லட்சத்தில் ஒரு விந்தை உயிர் தேற்றி
அல்குலின் சினை சேர்க்குமாம்
அசுரரைப் பிளந்தபோல் அணுவையும் பிளந்து
அணுகுண்டு செய்வித்ததும்
பரதேசம் வாழ்கின்ற அப்பாவி மனிதரை
பலகாரம் செய்துண்டதும்
பிள்ளையின் கறியுண்டு நம்பினார்க்கருளிடும்
பரிவான பரபிரம்மமே
உற்றாரும் உறவினரும் கற்று கற்பித்தவரும்
உளமார தொழு(ம்) சக்தியை
மற்றவர் வைபவம் கொண்டு நீ போற்றிடு
அற்றதை உண்டென்று கொள்
ஆகமக் குள(ம்) மூழ்கி மும்மலம் கழி
அறிவை ஆத்திகச் சலவையும் செய்
கொட்டடித்துப் போற்று மணியடித்துப் போற்று
கற்பூர ஆரத்தியை
தையடா ஊசியிற் தையெனத் தந்தபி்ன்
தக்கதைத் தையாதிரு
உய்திடும் மெய்வழி உதாசீனித்தபின்
நைவதே நன்றநின் னை.

Kamals' God!

Posted by : Jegan
Date :Thursday, November 11, 2010
With 1 comments:

Originality?

| Saturday, October 2, 2010
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I like to take strides and complete it to satisfaction. It is one characteristic of mine that helps me stand tall. I don’t care for monotonous. I believe, when tried, anything and everything can be made interesting. Including my fellow brothers and sisters thought process back home, at least when it comes to cinema. As Kamal Haasan is a living proof of this statement.

A while back ago I came across a fellow bloggers' post about Kamal and his “inspirations” as written by the blogger. I wanted to put together my thoughts about his post but did not get the time and eventually forgot about it. So, when I came across the same post written in Tamil by another blogger I had to document my thoughts into words;

Since its origin, originality has been closely linked to creativity. It is often seen as the inevitable result of that creative process. But some people seem to have misunderstood it to be a separate entity standing by itself. As in many creative activities like writing, composing, cooking and a few others, it has also become the ultimate criteria for the use of creativity in the development of products. There is little doubt about the fact that even in Western culture this longing for originality is a relatively recent phenomena."Bad poets deface what they take, and good poets make it into something better, or at least something different."

I think for the most part almost all content in life is the result of the "remixing" or "mashing-up" of culture. Cinema is no exception. Every movie that comes out has some mashing up of culture, the writer/directors personal influences, and affiliations, better called as inspirations. KamalHaasan is no exception. Then what is my point of this post? One might ask.. Well, all I am trying to bring forth is the genius that lies in Kamal. I say why can’t us “Tamilan’s” for once not be the “Tamil Nandu”???

"Ce qui fait les hommes de génie, ou plutôt ce qu'ils font, ce ne sont point les idées neuves, c'est cette idée, qui les possède, que ce qui a été dit ne l'a pas encore été assez." - - Eugene Delacroix

This French quote literally translates to; "What moves men of genius, or rather, what inspires their work, is not new ideas, but their obsession with the idea that what has already been said is still not enough."

Originality comes not from a genre, setting, plot, characters, voice or any other element on which we can work. It cannot. It isn’t possible. Originality can come only from what you bring of yourself to your story. In other words, originality is not a function of your novel; it is a quality in you. I think Kamal is one of the very few Indian film makes to have understood it. Yes, he did bring many English movies to the main stream Tamil people. But that is not without his own quality! As a matter of fact I think he did a huge favor to the Tamil people by exposing worldly culture, thoughts, perspective and ideas through cinema. He took the Indian cinema world to the next level! No one can deny that.

Now, lets take a look at the claims of some half-baked viewers of Hollywood flicks, they will never realize the connection between Ramayana, Mahabharatha and Avatar let alone it is the story of Pocahontas. They will not see the connection between many Indian movies and Titanic. No one sees the Matrix in Inception, which itself is a collection of ideas from several books, and scientific research. Get my point?

Originality?

Posted by : Jegan
Date :Saturday, October 2, 2010
With 2comments

Butterflies Are Free

| Friday, September 17, 2010
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Although there are a couple exterior and location shots most of it takes place in the same setting, the main characters apartment. But. nevertheless it works wonders for the film as it showcases the acting talent of the cast and the technical talent of the crew.

The story is of a young blind man's quest to taste independence, especially from his mother and his encounters in doing so. It is a gentler tale of truth, freedom, the generation gap and young love. Though this outline of the movie is very typical of its time, Butterflies Are Free is special as its main character aka the hero is blind. It is quite a interesting perspective, the movie records his exploration into the adult world of choices, emotions, sex (or love) and life itself. In the movie, his mother character who goes from being overprotective (naturally) to having to push her son from the nest. The different emotions portrayed by the character are wonderful and I/we (desi's) could/can (all) connect to her as an overprotective parent.

Butterflies Are Free a must watch for its brilliance in character development, screenplay, performance and because I say so!!


Raaja Paarvai; Okay, in my view the Tamil movie is a re incarnation of Butterflies are free. I think you have to give credit to Kamal Haasan for his brilliant adaptation. I am not saying this just because I am an ardent fan of his works but it speaks for itself. I demand you to watch both the movies before sitting in for an argument.. maybe discussion? ;)

The similarities are quite obvious when you see them both; Kamal is a blind musician; he seeks to be independent from his mother; his heroine is bold and outgoing. That is it. Everything else is Kamal's improvisation.

Butterflies Are Free

Posted by : Jegan
Date :Friday, September 17, 2010
With 1 comments:

Unnai Pol Oruvan

| Friday, September 18, 2009
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Last night I saw Unnai Pol Oruvan, First day first show!!! The movie is neat and crisp. It does not revolve around Kamal or Mohanlal only but all of its characters. I am yet to see A Wednesday, a more detailed review after seeing the original will be posted in the coming weeks.

But I just wanted to touch base on the psychological aspect of the film/characters. Though the movie is not trying to support terrorism in the core it does stimulate a thought along those lines. Dr. Kamal Haasan in the later part of the movie justifies his action with an incident from the past. By this the movie is trying to suggest that not all terrorist fight against real enemies; with their unconscious anger they fight against old psychological wounds from past betrayals. It wasn’t political injustice alone that hurt these individuals, it was fraud—intellectual and emotional fraud.


I am curious to see the Hindi version and the Tamil a few more times before I come back with a detailed review of my perspective of the movie. Overall I enjoyed the movie and obviously Kamal! One of my fav scenes, is when Kamal at the end of it all showcases the fear in every common man who at some point is pushed to do some extreme activities. His body language at that one specific scene is the signature of his caliber.

Note: Do I think the movie would be a success?
Maybe not as big as Dasavatharam.
But it is a must see!

Unnai Pol Oruvan

Posted by : Jegan
Date :Friday, September 18, 2009
With 1 comments:

Dasavatharam

| Friday, June 13, 2008
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Kamal Hassan! takes tremendous effort to talk different languages rather different dialects, goes through a lot of pain with his make up, brilliantly showcases his acting capability with his body language dominating - quite an effort at his age, decent story, some what lacking script and disappointing characterization sums up Dasavatharam.


The ten roles and the ones I liked highlighted:


*Rangarajan – Iyengar

*Govind Ramaswamy – Bio- Scientist

*Fletcher – Villan

*Naidu – Investigator

*Boovaragan – A down-to-earth man

*Mrs. Krishaveni – An old woman

*Japanese Guy

*Kaimal - muslim guy

* Mr Avataar – pop singer

*George W Bush – American President!!


Note: These are based on his performance(body language) not their characterization.

Dasavatharam

Posted by : Jegan
Date :Friday, June 13, 2008
With 0comments
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